| | 
| 1951 |
Born Sydney, Australia |
| 1970-73 |
Diploma of Fine Arts (painting), National Art School, Sydney |
| 1974 |
Diploma of Education (Art), Sydney Teachers College, Sydney |
| 1975-76 |
Teacher at Condell Park High School (Art) |
| 1976-91 |
Lived and worked in New York City, USA |
| 1991 |
Part-time lecturer in Painting, Post Graduate Department, Sydney College of the Arts, J.J. 1991Cahill Memorial High School (Art) |
| 1993-2003 |
Part-time
Lecturer of Printmaking, National Art School & Meadowbank, Hornsby,
St. 1993-2003 George & Seaforth Colleges of T.A.F.E. |
| 2004 |
Part-time lecturer of Printmaking, National Art School & College of Fine Arts, University of New South Wales |
Solo Exhibitions | | | 2008 | 'Natural Wonders', Australian Galleries, Sydney | | 2005 | ‘Etchings’, Watson Place Gallery, Melbourne
| | 2003 | ‘The Natural Order’, Gallery 482, Brisbane
| | ‘The Natural Order’, Australian Galleries Works on Paper, Sydney
| | 2001 | ‘Etchings’, Gallery 482, Brisbane
| | 2000 | ‘Etchings’, Australian Galleries Works on Paper, Sydney
| | 1988 | ‘Paintings and Drawings’, Ray Hughes Gallery, Sydney
| | ‘Paintings and Drawings’, Ray Hughes Gallery, Brisbane
| | 1987 | ‘Paintings and Drawings’, P.A.C.A. Gallery New York, USA
| | 1979 | ‘Brisbane – New York, New York – Brisbane’, Institute of Modern Art, Brisbane
| | 1975 | ‘Art From The Home’, Watters Gallery, Sydney
| | 1974 | ‘Three Works’, Watters Gallery, Sydney |
Group Exhibitions | | | 2007 | ‘Artists Ink: printmaking from the Warrnambool Art Gallery collection’ Warrnambool 1970 – 2001’, Warrnambool Art Gallery, Victoria
| | 2006 | '50th Anniversary Exhibition', Australian Galleries, Melbourne | | 'Art Interchange’, Museum of Contemporary Art, Hongik University, Korea
| | ‘Five Sydney Artists’, Adele Boag Gallery, Adelaide
| | 2004 | ‘In the presence of all creatures great and small’, Australian Galleries Works on Paper, Sydney
| | 2003 | ‘Prints by Bruce Latimer & David Fraser’, Beaver Gallery, Canberra
| | 2002 | ‘Landscapes’, Australian Galleries Works on Paper, Sydney
| | 2001 | ‘The Studio Tradition – National Art School 1883 – 2001’, National Art School, Sydney
| | The Manly Art Gallery & Museum
| | ‘The Macau International Exhibition of Prints’, Museum of Macau, China
| | 2000 | ‘Sydney Suburb’, Museum of Sydney, Sydney
| | ‘Dog’, National Gallery of Australia, Canberra
| | 1999 | ‘Shell Freemantle Print Award’, Freemantle, WA
| | ‘Norwegian International Print Triennale’, Fredrikstand, Norway
| | 1998 | ‘International Print Triennial’, Cracow, Nuremburg & Rio de Janeiro
| | 1997 | ‘City of Hobart Art Prize’, Hobart
| | ‘Perspecta Fibro’, Casula Powerhouse Arts Centre, Sydney
| | 1996 | ‘People, Prints and Patronage: The Development of the Geelong Art Gallery Print collection’, Geelong Art Gallery, VIC
| | ‘Mornington Peninsula Regional Gallery Biennial Print Acquisitive’ Mornington Peninsula Regional Gallery, VIC
| | ‘Shell Fremantle Print Award’, Fremantle, WA
| | ‘University of Western Sydney Macarthur National Printmedia Acuisitive’ University of Western Sydney
| | 1994 | ‘Shell Freemantle Print Award’, Freemantle, WA
| | 1992 | ‘Henri Worland Memorial Print Award’, Warrnambool Art Gallery, VIC
| | 1991 | ‘Tony Coleing & Friends – an exhibition of collaborative prints’, National Gallery of Australia, Canberra
| | ‘Off the wall/in the air, a seventies selection’, Monash University Gallery, Melbourne
| | 1989 | ‘Prints and Australia: Pre-Settlement to Present’, National Gallery of Australia
| | 1986 | ‘Church and State’, Zeus Trabla Gallery, New York
| | ‘Art Attack Against Racism and Apartheid’, P.A.C.A. Gallery, New York
| | ‘War/Peace on Earth’, P.A.C.A. Gallery, New York
| | 1983 | ‘Taste, Place and Transition’, Expatriates in New York, Ivan Dougherty Gallery, Sydney
| | 1982 | ‘Australian Screenprints’, Print Council of Australia, Travelling exhibition
| | 1980 | ‘The Dog Show’, Robin Winter’s Loft, New York
| | ‘Contemporary Australian Printmakers’ Organised by the University of Oregon, USA
| | 1979 | ‘Bradford Print Biennale’, Bradford, UK
| | ‘Tokyo Print Biennial Exhibition’, Tokyo, Japan
| | 1978 | ‘Fremantle Arts Centre Print Award, Freemantle Arts Centre, WA
| | 1977 | ‘Some Contemporary Art From the East Coast of Australia’, Pender Street Gallery, Vancouver, Canada
| | ‘Contemporary Australian Prints’, Festival of Perth and Tokyo
| | ‘Watters at Pinacotheca’, Pinacotheca Gallery, Melbourne
| | 1976 | “Mornington Peninsular Arts Centre Print Biennial, Mornington Peninsular Arts Centre, VIC
| | ‘Pederson Prize for Printmaking’, Oueensland Art Gallery, QLD
| | 1975 | ‘Mildura Sculpture Biennale/Sculpturescape’, Midura, VIC
| | ‘Philip Morris Trust Collection Exhibition’
| | ‘The Road Show’, Shepparton City Art Gallery, Shepparton, VIC
| | ‘Outlines of Australian Printmaking’, Ballarat Fine Art Gallery, Ballarat, VIC
| | 1974 | ‘Project Show’, Contemporary Art Society, Sydney
| | ‘Three Sydney Printmakers’, Chapman Powell Street Gallery, Melbourne
| | 1973 | ‘Nine Young Sydney Painters’, Llewellyn Gallery, Dulwich, S.A. |
BibliographyBooks
de Groen, Geoffrey; Some Other Dreams, The Artists, The Artworld and The Expatriate, Hale and Iremonger, 1984
Germaine, Max; Artist and Galleries of Australia and New Zealand, Lansdowne, 1984
Grishin, Sasha; Australian Printmaking in the 1990’s, Lansdowne
1997
Kempf, Franz; Contemporary Australian Printmaking, Lansdowne Editions, 1982
Periodicals
Allen, Christopher; “Images of the Visionary and the Clown”, Sydney Morning Herald, 22 April 1988
Catalano, Gary; “Artists as Printmakers”, Imprint, No.2 1976
Gleeson, James; “Fantasy and Funk”, The Sun, 29 May 1974
Gleeson, James; “Into the Dream World”, Sun Herald, 2 June 1974
Holloway, Memory; “Sleepy Look at Screenprinting”, The Age, 9 February 1983
Langer, Gertrude; “New York – Brisbane Collage, Pop Fantasy”, Courier Mail, 21 February 1977
Legge, Geoffrey; “Bruce Latimer’s Prints”, Art and Australia, Vol.15 No.1 September 1977
J.M; “Mural From Junk”, Vogue Australia, April 1977
Johnson, Mitch; “Review”, Honi Soit, June 1974
Mendelssohn, J; “Bruce Latimer”, Imprint, Vol. 35 No.2, Winter 2000
Mendelssohn, J; “The Arts on Friday”, The Australian, 29 August 1997
Mignacca, Eneide; “Review”, Nation Review, 7 June 1974
Pratt, Julie; “Undercroft Shows Are Poles Apart”, Sunday Times WA, 4 April 1984
Thomas, Daniel; “Review”, Sydney Morning Herald, 25 May 1974
Thomas, Daniel; “The Dealer as Patron”, Sydney Morning Herald, September 1974
Thomas, Daniel; “The New Modesty”, Sydney Morning Herald, 9 September 1974
Thomas, Daniel; “Loss of Energy is Artist’s Problem”, Sydney Morning Herald, 10 October 1974
Thomas, Daniel; “Review”, Sydney Morning Herald, 11 November 1974
Thomas, Daniel; “Not a Great Year for Art in Sydney”, Review, December 1974
Thomas, Daniel; “Old Contemporaries”, Sydney Morning Herald, 1974
Thomas, Daniel; “Nothing But the Best”, Sydney Morning Herald, 23 January 1975
Thomas, Daniel; “Brisbane Plugs Into the Wide World”, The Bulletin, 5 March 1977
Webb, Penny; “Etched in Memory”, The Age, 1 July 2005 Awards
| 2005 |
Geelong Acquisitive Print Award |
| 1982 |
Patron Print Commission, Print Council of Australia |
| 1977 |
Visual Arts Board Grant |
| 1976 |
Pederson Prize for Printmaking |
| 1973 |
Rowney Print Prize |
| 1971 |
National Art Students Union Prize |
| 1970 |
National Art Students Union Prize |
CollectionsArt Gallery of New South Wales
Art Gallery of Queensland
Art Gallery of South Australia
Bathurst Fine Art Gallery, NSW
Family Courthouse, Brisbane
Fremantle Arts Centre, WA
Geelong Art Gallery, VIC
La Trobe Valley Arts Centre, VIC
Macquarie University, NSW
Mornington Peninsula Art Gallery, VIC
Museum of Contemporary Art, Brisbane
National Gallery of Australia
National Gallery of New Zealand
National Gallery of Victoria
Newcastle Region Art Gallery, NSW
Noumea Art Gallery, Noumea
Queen Victoria museum & Art Gallery, Hobart
Queensland University of Technology, QLD
Shepparton Gallery, VIC
Tasmanian College of Advanced Education, TAS
Townsville Teachers College, QLD
Warrnambool Art Gallery, VIC
Western Australian Institute of Technology, WA
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