| |  | 1954 | Born Pakistan | | 1955 | Arrived in Australia |
Solo Exhibitions | | | 2011 | 'Glyphs', Australian Galleries, Sydney | | 2010 | ‘G.W. Bot: The long paddock: a 30 year survey’, Touring exhibition to 2013: Goulburn Regional Art Gallery, NSW Grafton Regional Art Gallery, NSW; Hawkesbury Regional Gallery, NSW; Mosman Art Gallery, Sydney; Margaret Carnegie Art Gallery, NSW; Wagga Wagga Art Gallery, NSW; Orange Regional Art Gallery, NSW; Tamworth Regional Art Gallery, NSW; Stanthorpe Regional Art Gallery, QLD; Artspace Mackay, QLD; Toowoomba Regional Art Gallery, QLD; Perc Tucker Regional Gallery, QLD; Maitland Regional Art Gallery, NSW)
| | 'A morphology of glyphs', Beaver Galleries, Canberra
| | 2009 | 'Fire Glyphs and Spirits', Artspace, Mackay
| | 'Field of Glyphs', Hart Gallery, London, UK
| | 2008 | 'Paddock Glyphs ', Australian Galleries, Melbourne | | 'Paddock Glyphs', Australian Galleries, Sydney | | 2007 | 'Glyphs’, Hart Gallery, London, UK
| | ‘G.W. Bot - Glyphs, works on paperand sculptures’, Beaver Galleries, Canberra
| | ‘Glyphs’, Gadfly Gallery, Perth
| | 2005 | 'Paths of being’, Chapman Gallery, Sydney
| | 'Certainties and Uncertainties', Grahame Galleries + Editions, Brisbane
| | ‘Figure in landcape’, Maunsell Wicks at Barry Stern Galleries, Sydney
| | 'Paths of being', Chapman Gallery, Canberra
| | ‘Morphic fields and gardens’, Gadfly Gallery, Perth
| | 2004 | 'Earth and Sky’, Australian Galleries Works on Paper, Melbourne
| | 'An island of life’, Barry Stern Galleries, Sydney
| | 2003 | ‘The Garden of Possibilities’, Canberra Museum and Gallery, Canberra
| | ‘Gardens’, Canberra Museum and Gallery, Canberra
| | 2002 | ‘Suburban Gardens: arrivals and journeys’, Barry Stern Galleries, Sydney
| | ‘The Body in Question’, Gadfly Gallery, Perth
| | 2001 | ‘Gardens: Rites of Passage’, Barry Stern Gallery, Sydney
| | ‘Gardens: Rites of Passage’, Hart Gallery, London, UK
| | ‘Gardens: Rites of Passage’, Chapman Gallery, Canberra
| | 2000 | ‘Mystic Language’, Grahame Galleries + Editions, Brisbane
| | ‘Bundanon Series’, Barry Stern Galleries, Sydney
| | ‘Recent Relief Prints’, Bulle Galleries, Melbourne
| | ‘Ancestral Landscapes’, Port Jackson Fine Art, Los Angeles, United States of America
| | 1999 | ‘Enclosures’, Chapman Gallery, Canberra
| | ‘Semiotics of the Australian Wilderness’, Bulle Galleries, Melbourne
| | ‘Works on Paper’, Barry Stern Galleries, Sydney
| | ‘The Australian Wilderness and Garden: Language, calligraphy and semiotics’, Hart Gallery, London, UK
| | 1998 | ‘Paper Garden’, Barry Stern Galleries, Sydney
| | 1997 | ‘The Lady and the Unicorn’, Hart Gallery, London, UK
| | ‘Journeys of a Poet’, Lyall Burton Gallery, Melbourne
| | ‘Sacred Gardens: drypoint and relief prints’, Hart Gallery, Nottingham, UK
| | 1996 | ‘The Lady and the Unicorn’, Chapman Gallery, Canberra
| | 1995 | ‘Journeys’, Australian Embassy, Paris, France
| | ‘Journeys’, Australian Centre, Manila, Philippines
| | 1994 | ‘Journeys’, Chapman Gallery, Canberra
| | 1993 | ‘Crucifixion’, Criterion Gallery, Braidwood, NSW
| | 1992 | ‘Crucifixion’, Dubbo Regional Art Gallery, Dubbo, NSW
| | ‘An Enclosed Space’, Canberra Contemporary Art Space, Gallery3, Canberra | | 2005_'An Australian Symphony', 5 + 5 Gallery, New York, USA 2005_‘Morphic Fields’, Hart Gallery, London, UK
|
Group Exhibitions | | | 2011 | 'Nature of the Mark' An Exhibition Curated by Deborah Williams, Australian Galleries, Melbourne | | 'large exhibition of small works', Australian Galleries, Derby Street, Melbourne
| | 'large exhibition of small works', Australian Galleries, Roylston Street, Sydney
| | Dobell Prize for Drawing, Art Gallery of New South Wales, Sydney
| | 'Mixed Exhibition', Hart Gallery, London, UK
| | Sulman Prize, Art Gallery of New South Wales, Sydney
| | ‘Personal Space: Contemporary Chinese and Australian Prints’, Manly Art Gallery and Museum, Sydney
| | 'Summer Exhibition', Australian Galleries, Roylston Street, Sydney
| | 2010 | 'Artists' prints made with integrity', Australian Galleries, Melbourne | | 'Summer Exhibition', Australian Galleries, Roylston Street, Sydney
| | ‘Summer Stock Show’, Australian Galleries, Smith Street, Melbourne
| | Dobell Prize for Drawing, Art Gallery of New South Wales, Sydney
| | ‘Art Loan Collection 2009/10’, Bournemouth University, Dorset, UK
| | Swan Hill Print and Drawing Acquisitive Award, Swan Hill Regional Art Gallery, Swan Hill, VIC
| | 'Royal Academy Summer Exhibition', London, United Kingdom
| | ‘Joseph Banks: a regional response’, Goulburn Regional Art Gallery, Goulburn, NSW
| | ‘Australian Trilogy: Dennis Nona, Abie Loy Kemarre, G.W Bot’, Arts d’Australie, Paris, France
| | '8éme Mondial de l’Estampe et de la Gravure Originale, Triennale de Chamaliéres,
| | 2009 | 'A Sculpture by...', Australian Galleries, Melbourne | | ‘Stock Show’, Australian Galleries, Glenmore Road, Sydney
| | Silk Cut Award 2009, Glen Eira City Council Gallery, Melbourne
| | ‘Salon des Refusés’, S.H. Ervin Gallery, Sydney
| | ‘Surfacing’, Belconnen Arts Centre, Canberra
| | ‘Stories of our making’, Tweed River Art Gallery, Murwillumbah, NSW
| | ‘Stories of our making’, University of the West of England, Bristol, UK
| | ‘1: 100,000 Mapping the island’, IXL Atrium, Hobart
| | The International Print Triennial Krakow, Poland
| | ‘Art London’, Chelsea, UK
| | 2008 | 'Stock show', Australian Galleries, Sydney | | ‘Stock Show’, Australian Galleries, Glenmore Road, Sydney
| | ‘Summer Stock Show’, Australian Galleries Smith Street, Melbourne
| | Dobell Prize for Drawing, Art Gallery of New South Wales, Sydney
| | Tallis Foundation 2008 National Works on Paper, Mornington Peninsula Regional Gallery, Mornington, Mornington Peninsula, VIC
| | ‘Recent acquisitions’ Prints and Drawings Gallery, British Museum, London, UK
| | Sulman Prize, Art Gallery of New South Wales, Sydney
| | Melbourne Art Fair, Melbourne
| | Robert Jacks Drawing Prize, Bendigo Art Gallery, Bendigo, VIC
| | Silkcut Award, Glen Eira City Council, Melbourne
| | Fremantle Print Award, Fremantle, WA
| | ‘Retroactive’, Canberra Contemporary Art Space, Canberra
| | ‘The other thing – a survey show’, Charles Darwin University, Darwin
| | 2007 | 'Small Pleasures: Painting and Sculpture', Australian Galleries, Melbourne | | 'Stock Show', Australian Galleries, Melbourne | | ‘Summer Stock Show’, Australian Galleries Works on Paper, Melbourne
| | ‘Summer Stock Show’, Australian Galleries Works on Paper, Sydney
| | ‘(Devilbend) 2007’, Mornington Peninsula Regional Gallery, Mornington Peninsula, VIC
| | Dobell Prize for Drawing, Art Gallery of New South Wales, Sydney
| | CPM National Print Awards (Winner), Tweed River Art Gallery, Murwillumbah, NSW
| | ‘The story of Australian Printmaking; 1801-2005’, National Gallery of Australia, Canberra
| | ‘Small Pleasures’, Australian Galleries Painting & Sculpture, Melbourne
| | Wynne Prize, Art Gallery of New South Wales, Sydney
| | ‘Royal Academy’, Summer Exhibition, London, United Kingdom
| | Geelong Acquisitive Print Awards, Geelong Gallery, Geelong, VIC
| | ‘Site and soul III’, Canberra Museum and Gallery, Canberra
| | ‘Guanlan International Print Biennal’, Shenzhen, China
| | Southern Cross University Acquisitive Artist’s Book Award, Lismore, NSW
| | Lessons in History, Vol. 1, Grahame Galleries + Editions, Brisbane
| | Prints from the Studio of Hugh Stoneman, Stoneman Graphics Gallery, Penzance, UK
| | Hart Gallery Collection, New Ashgate Gallery, Surrey, UK
| | Artists books and multiples fair Brisbane, University Art Museum, University of Queensland, Brisbane
| | ‘Prints’, Wagga Wagga Art Gallery, Wagga Wagga, NSW
| | ‘Gifted’, Charles Darwin University Art Collection, Darwin
| | Monalto Sculpture Prize, Monalto Vineyard & Olive Grove, Mornington Peninsula, VIC
| | 2006 | 'Group Exhibition', Australian Galleries, Melbourne | | '50th Anniversary Exhibition', Australian Galleries, Melbourne | | 'Glyphs', Australian Galleries, Sydney | | 'Summer Stock Show', Australian Galleries, Melbourne | | ‘Summer Stock Show’, Australian Galleries Works on Paper, Melbourne
| | Dobell Prize for Drawing, Art Gallery of New South Wales, Sydney
| | Silk Cut Award 2006, Glen Eira City Council Gallery, Melbourne
| | ‘50th Anniversary Exhibition’, Australian Galleries, Melbourne
| | ‘Being at Bundanon’, curated by Niki Mortimer, Touring: Shoalhaven City Arts Centre, NSW; Mornington Peninsula Regional Art Gallery, VIC; Orange Regional Gallery, NSW; Mosman Art Gallery, Sydney; Albury Regional Gallery, NSW
| | R & M McGivern Art Prize, Maroondah Art Gallery, Melbourne
| | Jacques Cadry Memorial Art Prize, Byron Kennedy Hall, Fox Studios, Sydney
| | ‘Footprints on the lake’, Goulburn Regional Art Gallery, Goulburn, NSW
| | ‘Multiplicity: Small Tapestries, Victorian Tapestry Workshop, Melbourne
| | International Print Triennial, Krakow, Poland
| | ‘Kedumba Drawing Award 2006’, Wentworth Falls, NSW
| | 'Studio One Print Collection', Touring: Narra City Gallery, Japan; Canberra Museum and Gallery, Canberra
| | ‘International Graphic Triennial’, Bitola, Republic of Macedonia
| | Cadaques Mini Print Exhibition, Spain
| | Acquisitive Award, University of Western Sydney, Permanent Art Collection, Sydney
| | 2005 | ‘Contemporary Works on Paper’, Australian Galleries Works on Paper, Melbourne
| | ‘33’, Port Jackson Press, Melbourne
| | ‘Dobell Prize for Drawing’, Art Gallery of New South Wales, Sydney
| | ‘Sulman Prize’, Art Gallery of New South Wales, Sydney
| | ‘Notes from the Natural World’, Australian Galleries, Melbourne
| | ‘Site and soul II’, Canberra Museum and Gallery, Canberra
| | ‘Sculpture 2005’, Barry Stern Galleries, Sydney
| | ’25 x 25’, Celebrating 25 years of Printmaking 1980 – 2005, Megalo Access Arts, Canberra
| | ‘Art Alumina Ltd Award’, Comalco Martin Hanson Memorial Art Award, Brisbane
| | ‘Contrasts within the Charles Sturt University Art Collection’, Wagga Wagga Art Gallery, Wagga Wagga, NSW
| | ‘Works on Paper 2005’, Barry Stern Galleries, Sydney
| | ‘Fireworks: Tracing the incendiary Australian Art’, Touring: Artspace Mackay, QLD; Rockhampton Art Gallery, QLD; Perc Tucker Regional Gallery, QLD; Gladstone Regional Art Gallery and Museum, QLD; Hazelhurst Regional Gallery and Arts Centre, NSW; Wagga Wagga Art Gallery, NSW; Bathurst Regional Art Gallery, NSW; Art Gallery of Ballarat, VIC; Mornington Peninsula Regional Gallery, VIC
| | ‘National Sculpture Prize and Exhibition 2005’, Finalist, National Gallery of Australia, Canberra
| | 2004 | ‘Surface tension’, New York Society of Etchers, New York, United States of America and national tour, Australia
| | ‘Sculpture 2004’ Maunsell Wickes at Barry Stern Galleries, Sydney
| | ‘Contemporary Australian Prints from the collection’, Art Gallery of New South Wales, Sydney
| | ‘Sacred Ground: Spirituality and the land in Australia’, Australian Centre for Christianity and Culture, Canberra
| | ‘Sulman Prize’, Art Gallery of New South Wales, Sydney
| | ‘33rd Alice Prize’, Araluen Art Centre, Alice Springs, NT
| | ‘Bendigo Bank Art Prize’, Brisbane
| | ‘Silk Cut Award 2004’, Glen Eira City Council Gallery, Melbourne
| | ‘Contemporary Prints and Drawings’, Australian Galleries, Melbourne
| | ‘The International Print Triennial’, Touring Municipal Museum in Lowicz, Poland; Centre for Contemporary Art Ujazdowski, Warsaw, Poland; ‘Profile’, Poznan, Poland; Horst Janssen Museum, Oldenberg, Germany
| | ‘Le tapis Volant, Flying carpet’, Musée des Beaux-Arts de la Ville du Locle, Switzerland
| | 2003 | ‘By George’, Barry Stern Galleries, Sydney
| | ‘Sulman Prize’ Art Gallery of New South Wales, Sydney
| | ‘Sydney Art on Paper Fair’, The 9th Biennial Art Fair, Sydney
| | ‘The International Print Triennial', Touring Krakow Poland; Bunkier Sztuki Contemporary Art Gallery, Krakow; Palace of Art TPSP, Krakow, Poland; Contemporary Art Gerry, Opole, Poland
| | 2002 | ‘Royal Academy’, Summer Exhibition, London, UK
| | ‘Shakehands’, Neusiedl am See, Austria
| | ‘Shakehands’, Wittgenstein Haus, Vienna, Austria
| | ‘Shades of Pink’, Manly Art Gallery and Museum, Sydney
| | ‘Shakehands’, Halbturn, Austria
| | ‘Sulman Prize’, Art Gallery of New South Wales, Sydney
| | ‘2002 Silk Cut Award 2002, Glen Eira City Gallery, Melbourne
| | ‘Print Australia’, North-West Print Council, USA
| | ‘Miniare Biennale Internationale d’estampes Miniatures de Montréal, Montrial, Canada
| | 2001 | ‘Island Postcards’, State Library of Tasmania, Hobart
| | ‘3rd International Ex-Libris Exhibition’, Rijeka, Croatia
| | 2000 | ‘Weerewa Woodcuts One’, Bungendore Woodworks Gallery, Bungendore, NSW
| | ‘Looking at a Different Aspect of Parliament House’, Parliament House, Canberra
| | ‘The Art on Paper Fair’, Royal College of Art, London, UK
| | ‘5th Sapporo International Print Biennale’, Japan
| | ‘10th Gielniak Graphic Competition’, Poland
| | ‘Six Australian Artists’, Lane Gallery, Auckland, NZ
| | ‘5th Triennale Moniale d’estampes petits formats Chamalières’, France
| | ‘20th Mini Print International of Cadaqués,Cadaqués, Spain
| | ‘The 4th International Triennial of Graphics and Posters’, Kharkiv, Ukraine
| | ‘Gold Coast City Art Gallery Art Prize’, Surfers Paradise, QLD
| | ‘Silk Cut Award’, Glen Eira City Council Gallery, Melbourne
| | 1999 | ‘Suddenly the Lake’, Canberra Museum and Gallery
| | ‘Premio Internazionale Biella per L’incisione’, Italy
| | ‘Second Skin’, RMIT University, Melbourne
| | ‘The Present Spirit’, Helen Maxwell Gallery/ Burgmann College, Australian National University, Canberra
| | ‘We Are Australian’, The George Adam Gallery, Victorian Arts Centre, Melbourne and national tour
| | 1998 | ‘Gone to the Dogs’, Grahame Galleries and Editions, Brisbane
| | ‘1998 Tyree-Tycan Art Prize’, Bowral, NSW
| | ‘Thirty Years of Korean Contemporary Prints: A decade of Contemporary Australian Printmaking’, Metropolitan Museum of Seoul, Seoul, Korea
| | ‘Dogs’ Breakfast’, ANCA Gallery, Canberra
| | ‘Picture Disk Exhibition’, Illawarra Institute of Technology’, Goulburn, NSW
| | ‘Silk Cut Linoprint Collection’, Fremantle Arts Centre, Fremantle, WA
| | ‘Atelier Point et Marge’, Paris, France
| | Tyree-Tycan Print Prize, Bowral, NSW
| | ‘1998 Silk Cut Award 1998’, Glen Eira City Council Gallery, Melbourne
| | 'Artists’ Books and Multiples Fair,' School of Arts, Brisbane
| | ‘Recto Verso’, Goulburn Regional Art Gallery, Coulburn, NSW and Canberra School of Art, Canberra
| | ‘Joyce and the Nymph’, Couch House, Sydney
| | ‘International Biennial of Graphic Art, Belgrade, Yugoslavia
| | ‘Landscape’, Charles Sturt University, Wagga Wagga, NSW
| | ‘29th Alice Art Prize, Alice Springs, NT
| | Illawarra Acquisitive Print Award (Winner), Illawarra, NSW
| | ‘National Works on Paper’, Mornington Peninsula Regional Gallery, Mornington, VIC
| | 1997 | ‘Xylon 13: International triennial of artistic relief printing’, Switzerland
| | ‘International Print Exhibition’, Portland Art Museum, Oregon, USA
| | ‘International Print Triennial 1997’, Krakow, Poland
| | ‘The 2nd International Print Triennial Colour in Graphic Art’, Toruń, Poland
| | ‘Osaka Triennale 1997’, Japan
| | ‘Artists’ Books’, Criterion Fine Art Gallery, Braidwood, NSW
| | ‘V International Triennial Sztuki’, Majdank, Poland
| | ‘Rena Ellen Jones Memorial Print Award’, Warrnambool, VIC
| | ‘The 3rd International Triennial of Graphics and Posters’, Kharkiv, Ukraine
| | ‘CPM Print Award’, Tweed River Regional Art Gallery, Murwillumbah, NSW
| | 1996 | 6th National Print Award’, Tweed River Regional Gallery, Murwillumbah, NSW
| | Silk Cut Award’, RMIT Gallery, Melbourne
| | ‘Works on Paper’, Barry Stern Galleries, Sydney
| | ‘University of Western Sydney National Print Media Exhibition’, Casula
| | Powerhouse Arts Centre, Sydney
| | ‘Premio Internazionale Biella per L’incisione’, Italy
| | ‘Shell Fremantle Print Award’ Fremantle Arts Centre, Fremantle, WA
| | ‘Xylon 13’, Winterthur, Switzerland
| | th 45th Blake Prize, Baxland Gallery, Sydney
| | Acquisitive Award, Tweed River Regional Art Gallery, Murwillumbah, NSW
| | ‘Artists’ Books and Multiples Fair ‘96’, State Library of Queensland, Brisbane
| | 1995 | ‘ANU Staff Amenities Fund Exhibition’, Drill Hall Gallery, Australian National University, Canberra
| | ‘A Changing Landscape’, Nolan Gallery, Lanyon, Canberra
| | ‘Western Australia Print Exchange Exhibition’, Studio One, Canberra
| | ‘Lake Isle’, Goulburn Regional Gallery, Goulburn, NSW and national tour
| | ‘AMCOR Paper Awards’, Westpac Gallery, Victorian Cultural Centre, Melbourne and national tour
| | ‘Borderlines’, Spiral Arm Gallery, Canberra
| | ‘Second Canberra Art Fair’, Australian National University Drill Hall Gallery, Canberra
| | ‘Print Triennial ’94 Consumenta ‘95’, Nuremberg, Germany
| | Berrima District Art Society, Print Section (Commended), Bowral, NSW
| | 1994 | ‘Open Art’, Berrima District Art Society, Bowral, NSW
| | ‘International Exhibition of Graphic Art’, Kharkiv, Ukraine
| | ‘Winter Solstice’, Barry Stern Galleries, Sydney
| | ‘Print Show’, Barry Stern Galleries, Sydney
| | ‘International Print Triennial’, MTG 1994, Krakow, Poland
| | ‘Jacaranda Acquisitive Drawing Award’, Grafton Regional Art Gallery, NSW
| | ‘The Print, the Press, the Artists and the Printer’, Australian National University, Drill Hall Gallery, Canberra
| | ‘Outback Print Prize’, Broken Hill Regional Art Gallery, Broken Hill, NSW
| | ‘Fremantle Print Award’, Fremantle Arts Centre, Fremantle, WA
| | ‘Biennial Prints Acquisitive Exhibition’, Mornington Peninsula Arts Centre, Mornington, VIC
| | ‘Contemporary Australian Printmakers’, Sherman Galleries, Sydney
| | 1993 | ‘42nd Blake Prize’, Blaxland Gallery, Sydney
| | ‘Best of the 1992 Blake Prize’, Australian National University, Drill Hall Gallery, Canberra
| | ‘Ten Years of Acquisitions: ANU Collection’, Australian National University, Drill Hall Gallery, Canberra
| | ‘Saints and Sacred Places’, Barry Stern Galleries, Sydney
| | ‘Fremantle Print Award’, Fremantle Arts Centre, Fremantle, WA
| | ‘The Tree of Life’, Studio One Gallery, Canberra
| | ‘First Canberra Art Fair’, Australian National University, Drill Hall Gallery, Canberra
| | 1992 | ‘Third International Women’s Day Exhibition’, Melbourne
| | ‘Between the Covers’, Canberra Contemporary Art Space, Canberra
| | ‘Raft Press Book Project’, National Library of Australia, Canberra
| | ‘Addressing the Chair’, Canberra Contemporary Art Space, Canberra
| | ‘Fremantle Print Award’, Fremantle Arts Centre, Fremantle, WA
| | 1991 | ‘Hard Pressed’, Jan Taylor Gallery, Sydney
| | ‘Familiar Territory’, Canberra Festival, CAFC
| | ‘Berrima District Art Society Print Award’, Berrima, NSW
| | ‘Common Threads/A Fine Line’, Canberra Contemporary Art Space, Canberra
| | ‘Quasions Mornington Gallery’, Mornington, VIC
| | ‘Art for Life’, Studio One Gallery, Canberra
| | ‘Fremantle Print Award’, Fremantle Arts Centre, Fremantle, WA
| | ‘A Tribute to Ronaldo Cameron’, Lake Macquarie Art Gallery, Lake Macquarie, NSW
| | ‘Canberra Souvenir’, Canberra Contemporary Art Space, Canberra
| | ‘Social Images’, Gorman House, Canberra
| | 1990 | ‘Fragments and Foundations’, aGOG Gallery, Canberra
| | ‘Contemporary Art’, Jan Jones Gallery, Bowral, NSW
| | ‘Focus on the Landscape’, Studio One Gallery, Canberra
| | ‘Social Images’, Gorman House, Canberra
| | ‘Calvary Hospital Art Show’, Canberra
| | ‘Artist Made’, Ben Grady Gallery, Canberra
| | ‘Familiar Territory’, Canberra Festival, Canberra
| | ‘Sun, Smoke and Steel’, Studio One National Touring Exhibition, Australia
| | 1989 | ‘Wild Art’, Bondi Pavilion, Sydney
| | ‘Edition 89’, Ben Grady Gallery, Canberra
| | 1988 | ‘Woden Library’, Canberra
| | ‘10:1 Print Project’, National Touring Exhibition
| | 1987 | The 36th Blake Prize, Blaxland Gallery, Sydney
| | 1986 | Kingston Art Space, Canberra | | 2007_‘Marks and Motifs: Prints from the PCA Collection’,Touring: QUT Art Museum, Brisbane; Gladstone Regional Art Gallery, QLD; Toowoomba Regional Art Gallery, QLD; Wagga Wagga Art Gallery, NSW; RMIT Gallery, Melbourne; Artspace Mackay, QLD; Perc Tucker Regional Gallery, QLD 2007_‘From here to eternity: Contemporary tapestries from the Victiorian Tapestry Workshop', National Touring Exhibition, Australia
| | Sulman Prize, Art Gallery of New South Wales, Sydney
|
BibliographyChanging LAandscape, Nolan Gallery, Canberra 1995, pp. 18-19 AMCOR Paper Awards, Wespac Gallery, Melbourne, 1995, pp. 20-25 Arty Facts, Wagga Wagga City Art Gallery, January 1989 Australian Identities in Printmaking, The Australian Print Collection of the Wagga Wagga Regional Art Gallery, Wagga Wagga, 2000 Barron, Sonia; “Private Garden is Pure Visual Poetry”, Canberra Times, 7 July 2003 Barron, Sonia; Canberra Times, 24 August 1996 Barron, Sonia; Journeys, Paris/Manila 1995, p. 12 Barron, Sonia; Canberra Times, 29 April 1995 Barron, Sonia; Canberra Times, 3 June 1994 Barron, Sonia; Canberra Times, 26 September 1993 Barron, Sonia; Canberra Times, 10 April 1993 Barron, Sonia; Canberra Times, 18 November 1992 Barron, Sonia; Canberra Times, 25 April 1992 Barron, Sonia; Canberra Times, 4 April 1990 Barron, Sonia; Canberra Times, 9 December 1989 Botros, Regina; “The Maker”, radio interview for The Deep End, ABC Radio National, 2006 Cinkul, Ljiljana; “Contemporary Graphic Art of the Far East and Australia”, Graficki kolektic, Belgrade, 1999 Cousins, Kerry-Anne; “G.W. Bot: Poet and Prophet”, Muse, Canberra, 1998/99, p. 8 Cousins, Kerry-Anne; Muse, July 1994 Cousins, Kerry-Anne; Muse, June 1992 D’Arcy-Hughes, Ann & Vernon-Morris, Hebe; The Printmaking Bible, Chronicle Books, USA, 2008, pp. 207-209 Directory 1988, Australian Artists Producing Prints Eagle, Mary & Middelmost, Tom; Landscape, Charles Sturt University Art Collection, Wagga Wagga, 1998 Elliott, Ralph; Canberra Times, 16 May 1992 Epstein, Emma; G.W. Bot ‘Garden of Possibilities’, Canberra Museum and Gallery, 2003 Germain, Max; A dictionary of women artists of Australia, Craftsman House, Sydney, 1991 Germaine, Max; Artists and Galleries of Australia, 3rd Edition, 1990 Gilmour, Pat; “G.W Bot: Poetry of Line”, Art and Australia, 1998/2, pp. 518-21 Glyphs, catalogue to accompany Hart Gallery exhibition, London, including essay “Dialogue of Australglyphs” by Dr Sheridan Palmer Gray, Anne; G.W Bot Gardens: Rites of Passage, Goanna Print, Canberra/London, 2001, p. 34 Gray, Anne; “Inner Outback”, Printmaking Today, London, 2000, pp. 10-11 Gray, Anne; “G.W.Bot — Enclosures” in G.W. Bot: The Australian Wilderness and Garden: Language, calligraphy and semiotics, Hart Gallery, London, 1999, p. 36 Grishin, Sasha; "Multiplicy - collecting Australian prints", Australian Art Review, Issue 13, March-June 2007, pp.52-55 Grishin, Sasha; “G.W. Bot” in Grapheion: European review of modern prints, books and paper art, vol 15-16 3/4 2000, p. 74 Grishin, Sasha; Australian Printmaking in the 1990s: Artist printmakers 1990-1995, Craftsman House, Sydney 1997 Grishin, Sasha; Contemporary Australian Printmaking: An interpretative history, Craftsman House, Sydney, 1994 “G.W. Bot’s Garden State”, Printmaking Today, London, Vol 12 no 3, 2003, p. 18 Hart, Deborah; The Lady and the Unicorn, Hart Gallery, London, 1997 Haynes, Peter; “Anima and essences: The art of G.W. Bot”, Craft Arts International, No 61, 2004, pp. 30-35 Haynes, Peter; G.W. Bot: Gardens, Canberra Museum and Gallery, Canberra 2003 Herring, Julie (FRSA; curator); Art Loan Collections 2009/10, Bournemouth University, United Kingdom, pp. 8-9 Imprint, cover photo, Volume 41, No. 3, Spring 2006 Johnson, Frances; "Sightlines: Old Before their time", The Age, 3 October 2008, p. 17. Kidd, Courtney; “Still life that refuses to sit still”, Sydney Morning Herald, May 16, 2001 Klepac, Lou; G.W. Bot Morphic Fields, Hart Gallery, London, 2005 Lake Isle, Goulburn, 1995, exhibition catalogue Lee, David; “G.W. Bot: Artist’s eye”, Art Review, London, November 1999, p. 47 Le tapis volant, Flying carpet, Xunta de Galicia, Santiago de Compostela, 2004 Middlemost, Thomas; Contrasts within the Charles Sturt University Art Collection, Wagga Wagga Regional Art Gallery, Charles Sturt University, 2005 Murray Cree, Laura; “G.W. Bot: Gardens of Fire”, State of the Arts, April-June 2004, pp. 42-43 Ogilvy, Charly; "A Showing of Stunning Prints and Twisting Bronzes", The Canberra Times, 9 August 2007 Palmer, Sheridan; “The Poet’s Garden”, Imprint, vol 33, no. 1, 1998, pp. 21-22 Palmer Sheridan; "GW Bot Glyphs", Hart Gallery, London 2007, 26 pp Rogers, Maryann; Goulburn Post, 5 April 1995 Royal Academy Illustrated 2010, Royal Academy, London, United Kingdom, 2010, p. 58 Royal Academy Illustrated, London 2002, p. 117 Ryan, Anne; "G.W Bot: Paddock Glyphs", Art & Australia, vol. 46 no. 1, Spring 2008. p. 145 Ryan, Anne; Contemporary Australian Prints from the collection, AGNSW, Sydney, 2004 Shears, Susie and Clabburn, Anna, "From Here to Eternity: Contemporary Tapestries from the Victorian Tapestry Workshop", The Australian, 14 December 2006 Smee, Sebastian, “Between lines and layers of paint”, The Australian, 14 December 2006 Smith, Charley; “Poetic, beautiful and personal”, Canberra Times, May 18 2010 Sutherland, Rene; Daily Liberal (Dubbo), 1 April 1992 The Philippines Journal, 26 March 1995 The Philippines Star, 27 March 1995 Thirty Years of Korean Contemporary Prints: A decade of Contemporary Australian Printmaking, Metropolitan Museum of Seoul, 1998, p. 189 Thompson, John; Pink and Shades of Pink, Manly Art Gallery and Museum, March 2002 Uhlmann, Amanda; Good Times Canberra Times, 23 April 1992 Wallace, Carmel; Surface Tension, New York Society of Etchers/Gallery 101, New York/Melbourne, 2004 Wallace, Sue-Anne; Canberra Times, 16 March 1991 Waller, Lisa; Canberra Times, 10 August 1989 Waller, Lisa; Canberra Times, 30 November 1989 Warren, Alex; “Art Smart”, Inside Out, Issue 74, July-August 2008, pp. 143-150 Watson, Christine; Sacred Ground: Spirituality and land in Australia, Australian Centre for Christianity and Culture, Canberra 2004 Williams, Warwick; Australian National University: Staff Amenities Fund Donations to the Art Collection, ANU Drill Hall Gallery, Canberra 1995 Wolseley, John; “G.W. Bot: Glyphs”, Imprint, volume 41, no. 3, Spring 2006, p. 1
Artist’s publications A Black Book, Raft Press, Canberra 1992 A Red Book, Raft Press, Canberra 1992 Brolga: An Australian Journal About Dance, No 1, December 1994, cover design Here we go Round the Mulberry Bush, vol 3, Raft Press, Canberra 1991 Journeys, March 1995 Joyce, R. (ed.); Social Images 1891-1991, Goanna Print, Canberra 1991, cover design Mysteries, BB Press, Canberra 1997 Nugent, A. & Tully, B (ed.); Blast, no 15, 1991 Offerings, Finlay Press and BB Press, Yabber Yabber Publications, Goulburn 1997 The Field of Life, Goanna Print, Canberra 1992 The Spartans, text by L.F. Fitzhardinge, illustrations G.W. Bot, Thames and Hudson, London, 1980 To Walk Across a Field, Raft Press, Canberra 1992
CollectionsAlberta College of Art and Design, Calgary, Canada Albertina, Vienna, Austria Araluen Art Centre, Alice Springs, NT Artbank, Sydney Art and Craft Teachers Association of Victoria, Melbourne Art Gallery of New South Wales, Sydney Art Gallery of South Australia, Perth Artspace, Mackay, QLD Australian International School, Hong Kong Australian National University Art Collection, Canberra Baillieu Library, University of Melbourne, Melbourne Bathurst Regional Art Gallery, Bathurst, NSW Bibliothèque Nationale, Paris, France Brisbane City Gallery, Brisbane Brisbane Grammar Art Collection, Brisbane British Museum, London, United Kingdom British Library, London, United Kingdom Bundanon Collection, West Cambewarra, NSW Burnie Regional Art Gallery, Burnie, TAS Camberwell Grammar Art Collection, Melbourne Canberra School of Art, Art Collection, Canberra Canson Australia Pty Ltd, Melbourne Central Academy of Fine Arts, Beijing, China Centre for the Artist Book Collection, Grahame Galleries and Editions, Brisbane Charles Darwin University Art Collection, Darwin Charles Sturt University, Wagga Wagga, NSW City Art Gallery, Wagga Wagga, NSW City of Banyule, Melbourne Deakin University Art Collection, Melbourne Downlands College Art Collection, Queensland Falmouth Gallery, Cornwall, United Kingdom Fogg Museum of Fine Arts, Harvard University, Cambridge MA, United States of America Geelong Grammar Art Collection, Geelong, VIC Genazzano College Art Collection, Melbourne Gippsland Centre for Art and Technology, Gippsland, VIC
Gippsland Regional Gallery, Gippsland, VIC Gladstone Regional Art Gallery, Gladstone, QLD Gold Coast City Art Gallery, Gold Coast, QLD Goulburn Regional Gallery, Goulburn, NSW Grafton Regional Gallery, Grafton, NSW Hailebury College, Melbourne Hamilton Art Gallery, Melbourne James Hardie Collection of Australian Fine Art, Brisbane John Curtin Gallery, Perth Kedumba Art Collection, Blue Mountains Grammar School, Katoomba, NSW Kharkiv Art Gallery, Ukraine Kooweerup Secondary College, Victoria Lublin Museum, Poland Macquarie Bank Corporate Art Collection, Sydney Magnani Papers Australia, Melbourne Mildura Arts Centre, Mildura, VIC Mitchell Library, Sydney Mornington Peninsula Art Gallery Collection, Mornington, VIC Museum of Modern Art, Osaka, Japan National Gallery of Australia, Canberra National Library of Australia, Canberra Parliament House Art Collection, Canberra Penleigh and Essendon Grammar School Art Collection, Melbourne Port Macquarie Hastings Regional Gallery, Port Macquarie, NSW Presbyterian Ladies College Art Collection, Sydney Print Council of Australia, Inc, Melbourne Queensland Art Gallery, Brisbane Queensland College of the Arts, Brisbane Queensland Institute of Technology, Brisbane Queensland University of Technology, Brisbane Queen Victoria Museum and Art Gallery, Launceston, TAS Ronaldo Cameron Collection, Lake Macquarie Art Gallery, Lake Macquarie, NSW Silk Cut Foundation Collection, Melbourne South Queensland Institute of TAFE, QLD St Ursula’s College, Toowoomba, Toowoomba, QLD St Peter’s College, Brisbane State Library of Queensland, Brisbane State Library of Victoria, Melbourne Sunraysia Institute of Tafe, Mildura, VIC Sydney College of the Arts, Sydney Toowoomba Regional Art Gallery, Toowoomba, QLD Tweed River Regional Art Gallery, Murwillumbah, NSW University of Canberra Art Collection, Canberra University of Technology of Sydney Art Collection, Sydney University of Western Sydney Art Collection, Sydney University of Wollongong Art Collection, Wollongong, NSW Victoria and Albert Museum, London, United Kingdom Warrnambool Regional Art Gallery, Warrnambool, VIC Westminster School, Adelaide Private Collections in Australia, Europe, Asia and the United States of America CommissionsINCLUDES AWARDS2010 Calvary Hospital, Canberra (‘Tree of life’) 2009 Tweed River Art Gallery’s Anniversary Print Collection Exhibition, Murwillumbah, NSW 2008 ‘La Gravure Originale’, Commissioned Member Print, Paris ‘The Lake’, sculptural installation, Goulburn Regional Gallery, Goulburn, NSW 2007 Tweed Shire council award (Acquisitive), CPM National Print Awards, Tweed Shire, NSW Print Council of Australia Commissioned Member Print, Melbourne 2006 National Critics Selection: ‘50 Most Collectable Artists, Australian Art Collector’, Canberra Artist in Residence, Sculpture Workshop, ANU School of Art, Canberra 2005 National Critics selection: ‘50 Most Collectable Artists, Australian Art Collector’ Alumina Ltd. Award, section 2, works on paper, Comalco Martin Hanson Memorial Art Awards, Gladstone, QLD (judged by Tony Elwood, Dep. Dir. NGV) 2004 Print Council of Australia Commissioned Member Print, Melbourne The Canberra Times Artist of the Year, Canberra Silk Cut Award, Acquisition, Melbourne 2003 Artist in Residence, University of Wollongong, NSW 2001 Residency Kultervereingung Nördliches Burgenland, Neusidl Am See, Austria 2000 CAPO Fellow Silk Cut Award, Acquisition Mini Print International, Cadaqués, Spain, Acquisition 1999 ACT Cultural Council Development Grant, Canberra Artist-in-residence, Arthur Boyd’s Gift to the Nation, Bundanon, NSW Print Council of Australia Member’s Print Commission, Victoria 1998 National Gallery of Australia ‘New Worlds from Old’ commissioned portfolio Studio One, Canberra (Awarded) 1998 Tyree-Tycan Print Prize, Bowral, NSW (judged by Hendrik Kolenberg, curator of Prints, Drawings and Watercolours, AGNSW) Illawarra Acquisitive Print Award, Illawara, NSW (Awarded) 29th Alice Art Prize, Alice Springs, Acquisition (judged by Alan Dodge, Dir. Art Gallery of Western Australian) 1997 Three commissioned drypoints, Hugh Stone Graphics, Cornwall/Hart Gallery, London 1996 Artist-in-residence, Arthur Boyd’s Gift to the Nation, Bundanon, Nowra, NSW Acquisitive Award, Tweed River Regional Art Gallery, Murwillumah, NSW Acquisitive Award, University of Western Sydney, Permanent Art Collection, Sydney ACT Cultural Council Development Grant, Canberra Print Council of Australia Member’s Print Commission, Melbourne 1995 ACT Cultural Council Development Grant, Canberra Environmental Artists in Schools Scheme, Australia 1994 Berrima District Art Society, Print Section, Commended, Berrima Canberra Critics Awards, Visual Arts CAPO Grant, Canberra Zaokhochuval’na Prize, 2nd International Exhibition of Graphic Art and Posters, 4th Block, Kharkiv, Ukraine 1992 CAPO Grant, Canberra Canberra Critics Award, Visual Arts, Canberra
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