| | Lives and works near Breadalbane, NSW
| 1980-81 | Art Certificate, East Sydney Technical College, Sydney | | 1982 | Higher Art Certificate, East Sydney College, Sydney | | 1983-84 | Bachelor of Art, Sydney College of the Arts, Sydney |
Solo Exhibitions | | | 2011 | ‘Shedding light’, Goulburn Regional Art Gallery, Goulburn, NSW
| | 2009 | ‘Robert’, Mori Gallery, Sydney
| | 2007 | ‘Grave (nos 60-69)’, Mori Gallery, Sydney
| | 2005 | ‘Grave’, Mori Gallery, Sydney
| | 2003 | ‘Drawings’, Mori Gallery, Sydney
| | 2002 | ‘Eleven dams’, Casula Powerhouse, Casula, NSW
| | 2001 | ‘Eleven dams’, Mori Gallery, Sydney
| | 2000 | ‘Gaining ground’, Mori Gallery, Sydney
| | 1997 | ‘“Bohara” Breadalbane’, Mori Gallery, Sydney
| | 1995 | ‘Ploughed Paddocks’, Goulburn Regional Art Gallery, NSW
| | 1993 | ‘Cows’, Mori Gallery, Sydney
| | 1989 | ‘Land on which grass is grown’, Canberra Contemporary Art Space, Canberra
| | ‘In My Father's Paddock’, Mori Gallery, Sydney
| | 1988 | ‘Portraits from the Breadalbane Plain’, First Draft Gallery, Sydney |
Group Exhibitions | | | 2012 | ‘En Plein Air’ Winds of Change Weereewa Exhibition, Goulburn Regional Art Gallery, Goulburn, NSW
| | 2011 | 'large exhibition of small works', Australian Galleries, Derby Street, Melbourne
| | 'large exhibition of small works', Australian Galleries, Roylston Street, Sydney
| | 2007 | ‘Climate Changing Climate’, Goulburn Regional Art Gallery, Goulburn, NSW
| | 2006 | ‘Homeground’, Ivan Dougherty Gallery, Sydney
| | 2003 | ‘Salon des Refusés’, S.H. Ervin Gallery, Sydney
| | 2002 | ‘Group show’, Mori Gallery, Sydney
| | 2001 | ‘Salon des Refusés’, S.H. Ervin Gallery, Sydney
| | 2000 | ‘Drawing Show’, Mori Gallery, Sydney
| | 1997 | ‘Salon des Refusés’, S.H. Ervin Gallery, Sydney
| | 1996 | ‘Salon des Refusés’, S.H. Ervin Gallery, Sydney
| | 1995 | ‘Octette’, Eva Breuer Fine Art, Sydney
| | 1994 | ‘Drawing on Inspiration’, Ivan Dougherty Gallery, Sydney
| | 1993 | ‘Translating Bunker to Bunker’, Tin Sheds Gallery, University of Sydney, Sydney
| | 1992 | ‘Portia Geach Portrait Prize’, S.H. Irvin Gallery, Sydney
| | 1989 | ‘Drawings’, Sylvester Studios, Sydney
| | ‘Fresh Art’, S.H. Irvin Gallery, Sydney
| | ‘The Art of Assemblage’, EMR Gallery, Sydney
| | ‘Faber Castell Award’, Conference Room, Sydney Showground, Sydney
| | 1988 | ‘Horse Installations’, Blaxland Gallery, Sydney
| | 1987 | ‘NSW Traveling Art Scholarship’, Blaxland Gallery, Sydney
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BibliographyBeckett, Clarice; "A private conversation", Art and Australia, Spring Vol 41, 2003 Crawford, Billy; "Agenda", Contemporary Art Magazine, March 1990 Fenner, Felicity; Australian Art Collector, spring/summer edition 2002 Fenner, Felicity; Sydney Morning Herald, 22 August 1992 Fenner, Felicity; Eyeline Magazine, Winter 1989 Grishin, Sasha; Canberra Times, 17 July 1989
Kerr, Joan and Holder, Jo; Past Present, The National Women's Art Anthology, Craftsman House, Sydney, 1999
Loxley, Anne; "From birds of prey to a stuffed cicada' Sydney Morning Herald, 31 July 2002
Lynn, Elwyn; The Australian, 10 March 1995
MacDonald, John; Sydney Morning Herald, 11 March 1995
Reid, Michael; "A Collectors secret: bye what you like" The Weekend Australain, 2 February 2000 Stephens, Helen; "Taking a stand", Art Monthly Australia, November 2011
Watson, Bronwyn; Sydney Morning Herald, 9 April 1993
Awards| 1992 | Portia Geach Portrait Prize, Highly Commended, S.H. Irvin Gallery, Sydney | | 1984 | Sydney College of the Arts Scholarship, Sydney |
Special NotesCurator
| 1995 | 'In A Certain Light' - Co-curator, Clarice Beckett and Olive Cotton, Ivan Dougherty Gallery, Sydney |
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