| | 
| 1951 |
Born Nevada, USA |
| 1971–72 |
Brooks Institute of Photography, Santa Barbara, California |
| 1972–76 |
Bachelor of Arts, University of California |
Solo Exhibitions | | | 2008 | 'Communities', Australian Galleries, Melbourne | | 2006 | 'Recent Work', Australian Galleries, Sydney | | 2005 | 'Recent Work', Australian Galleries, Melbourne | | 2004 | ‘Between towns’, Australian Galleries, Melbourne
| | 2002 | Australian Galleries, Works on Paper, Sydney
| | Australian Galleries, Melbourne
| | 2001 | ‘Igor Chepikov/John Miller’, Lange Nacht Der Koelner Museen, Cologne, Germany
| | ‘Landscapes’, Gladfly Gallery, Perth
| | Anna Malchers Gallery, Bensberg, Germany
| | 2000 | Gadfly Gallery, Perth
| | CeBit 2000, Hannover, Germany
| | 1996 | Australian Galleries, Melbourne
| | Adelaide Central Gallery, Adelaide
| | 1994 | Australian Galleries, Melbourne
| | 1993 | Gallery Rhumbarallas, Melbourne
| | 1992 | Girgis & Klym Gallery, Melbourne
| | ‘John Miller Polaroids’, Girgis & Klym Gallery, Melbourne | |
|
Group Exhibitions | | | 2007 | 'Small Pleasures: Painting and Sculpture', Australian Galleries, Melbourne | | 'Stock Show', Australian Galleries, Melbourne | | 2006 | '50th Anniversary Exhibition', Australian Galleries, Melbourne | | 'New Year Group Exhibition', Australian Galleries, Melbourne | | 'Stock Show', Australian Galleries, Melbourne | | 'Summery', Australian Galleries, Sydney | | 2004 | ‘Panorama’, Australian Galleries, Works on Paper, Melbourne
| | Fletcher Jones Art Prize, Geelong Gallery
| | 2001 | Kunstlersleidlung Halfmannshof, Gelsenkirchen, Germany
| | ‘Back from Liverpool’, Kunstwerk, Cologne, Germany
| | ‘Das Letzte, Das Allerletzte’, XX, Cologne, Germany
| | ‘Kunstwerk Goes to Liverpool’, Jump Ship Rat, Liverpool, England
| | ‘Koeln Kunstverein, In Situ XXL’, School of Anatomy, University of Cologne, Germany
| | 2000 | ‘Kuckkucksei’, Museum Gegenstandsfreier Kunst, Ottendorf, Germany
| | ‘Gleich Hinter Deutz Beginnt Siberien’, Kunstwerk, Cologne, Germany
| | Project Room, Gallery Michael Hasenclaver, Munich, Germany
| | 1999 | Hans im Gluck, Kunstwerk, Cologne, Germany
| | 1992 | ‘Group Show 1992’, Girgis & Klym Gallery, Melbourne
| | ‘Seven Disparate Artists’, Deakin University, Geelong
| | ‘Artworks Four’, Gallery 101, Melbourne
| | 1990 | Group Show, Charles Nodrum Gallery, Melbourne
| | 1983 | Llhasa Club, Los Angeles, California, USA
| | 1976 | University of California, Santa Barbara, California, USA
| | 1975 | ‘Some Santa Barbarans’, Santa Barbara Museum of Art, California, USA
| | 1973 | University of California, Santa Barbara, USA
| | 1971 | Bordalazzo Gallery, Santa Barbara, USA |
BibliographyBooks
Spectrum, Vol. XVIII Nos. 1 & 2, University of California, USA, 1973
Spectrum Anthology 1975 to 1978, University of California, USA, 1978
Periodicals
Akehurst, Christopher; “US Artist’s Melbourne Show”, The Melburnian, Dec. 1994
Coleridge, Damian; “The Body in Question”, Radio National, August 1992
Dutkiewicz, Adam; “Fiercely Formalist’”, The Advertiser, Adelaide, Feb 1996
“From the Dark”, Adelaide Review, Adelaide, Feb. 1996
Jazz Magazine, Los Angeles, USA 1980
Hansome, Joanna; “Exhibition Explores How We See The World”, The Geelong Advertiser, September 1992
Heathcote, Christopher; “Miller’s Tale of Mortality”, The Age, Melbourne 1992
Heathcote, Christopher; “Towards a Peak of Painterly Art”, The Age, Melbourne, March 1992
Neville, Greg; “Celebration of Individuality and Otherness”, The Age, Melbourne
di Mase, John; “John Miller”, Original Sin Magazine, Melbourne 1996
A. Bailey; “Partnership in Perspective”, Coast and Country, Melbourne 2004
CollectionsAXA, Cologne, Germany
Bethesda Hospital, Melbourne
Geelong Art Gallery, Geelong
Monash Medical Centre, Melbourne
St. Francis’ Church, Melbourne
Wye Parish Church, Kent, England
Photograph courtesy of Pedro Malminowski
Selected ReviewsNew Year Group Exhibition | The Sunday Age, Preview | 6 Jan 2005
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