| |  | 1952 | Born, Launceston, Tasmania | | 1972-74 | Diploma of Fine Arts (Photography), Tasmanian School of Art | | 1977-78 | Postgraduate (Sculpture), Slade School of Art, London | | 1979 | Postgraduate (Sculpture), New York Studio School, New York | | 1990 | Residency at Mora Dyring Studio, Cite International des Arts, Paris, Art Gallery of New South Wales Trust | | 1994 | Asialink overseas residency, Beijing Art Academy, China | | 2005 | Part-time lecturer in painting, National Art School, Sydney | | | | | | |
Solo Exhibitions | | | 2008 | 'Black and White', Australian Galleries, Melbourne | | 'Sydney', Australian Galleries, Sydney | | 2007 | 'Crystal Clear', Australian Galleries, Melbourne | | 'Icebreaker', Australian Galleries, Sydney | | 2006 | 'Venice Series', Australian Galleries, Sydney | | 2004 | ‘So Pretty’, Australian Galleries, Sydney
| | 2002 | Boutwell Draper Gallery, Sydney
| | 2001 | Boutwell Draper Gallery, Sydney
| | 1994 | Beijing International Art Palace, Beijing, China
| | Australian Embassy, Beijing, China
| | Annandale Galleries, Sydney
| | 1993 | Annandale Galleries, Sydney
| | 1992 | Dick Bett Gallery, Hobart
| | 1991 | Australian Galleries, Sydney
| | 1989 | William Mora Galleries, Melbourne
| | Ray Hughes Gallery, Sydney
| | 1988 | William Mora Galleries, Melbourne
| | Ray Hughes Gallery, Sydney
| | 1987 | Ray Hughes Gallery, Sydney
| | Salamanca Art Gallery, Hobart
| | Cockatoo Gallery, Launceston
| | 1986 | Ray Hughes Gallery, Sydney
| | 1985 | Roslyn Oxley9 Gallery, Sydney
| | Michael Milburn Galleries, Brisbane
| | The Performance Space, Sydney
| | 1984 | The Performance Space, Sydney
| | 1983 | Tolarno Galleries, Melbourne
| | 1982 | Roslyn Oxley9 Gallery, Sydney
| | 1981 | Art Empire Industry Gallery, Sydney |
Group Exhibitions | | | 2009 | 'A Sculpture by...', Australian Galleries, Melbourne | | 2008 | Sulman Prize, Art Gallery of New South Wales, Sydney (Winner)
| | Wynn Prize, Art Gallery of New South Wales, Sydney
| | Archibald Prize, Art Gallery of New South Wales, Sydney
| | ‘Who let the dogs out’, Lake Macquarie City Art Gallery, NSW
| | 2007 | 'Small Pleasures: Painting and Sculpture', Australian Galleries, Melbourne | | 'Stock Show', Australian Galleries, Melbourne | | The John Glover Prize (finalist), Tasmania
| | Archibald Prize, Art Gallery of New South Wales, Sydney
| | 2006 | '50th Anniversary Exhibition', Australian Galleries, Melbourne | | 'New Year Group Exhibition', Australian Galleries, Melbourne | | 'Stock Show', Australian Galleries, Melbourne | | 'Summery', Australian Galleries, Sydney | | ‘SCEGGS Redlands Westpac Art Prize’, Mosman Art Gallery, Sydney (Winner)
| | Archibald Prize Exhibition, Art Gallery of New South Wales, Sydney
| | 2005 | 'End of Year Group Exhibition', Australian Galleries Painting and Sculpture, Sydney
| | ’Bleak Epiphanies…. an exhibition of small black things’, Virginia Wilson Art in association with William Wright: Artists’ Projects
| | ’Dog Trumpet, RSPCA Fundraiser’, Michael Nagy Gallery, NSW
| | ‘Bleak Epiphanies: an exhibition of small black things’,curated by William Wright, Virginia Wilson Art, Sydney
| | Woollahra Small Sculpture Prize, Woollahra Council, NSW
| | Archibald Prize’, Art Gallery of New South Wales and touring
| | ‘Walking the Line’, The National Art School, Sydney
| | ‘Personage the figure on paper’, Australian Galleries Works on Paper, Sydney
| | ‘Small Important Works’, Australian Galleries, Sydney
| | ‘Fireworks, tracing the incendiary in Australian Art’, Artspace, Mackay, and touring
| | 2004 | ‘Archibald Prize, Art Gallery of New South Wales and touring
| | Sulman Prize, Art Gallery of New South Wales
| | ‘In the presence of all creatures great and small’, Australian Galleries Works on Paper, Sydney
| | ‘Species’, Australian Galleries Works on Paper, Melbourne
| | 2003 | Blake Prize, Sir Herman Black Gallery, University of Sydney
| | 2002 | ‘William Creek and Beyond – book launch exhibition, Museum of Contemporary Art, Sydney and national tour of regional galleries
| | 2001 | Archibald Prize, Art Gallery of New South Wales and touring
| | Roche Contemporary Art Prize, national tour
| | International Works on Paper Fair, Sydney
| | 2000 | Defiance Gallery, Sydney
| | 1999 | ‘Silver’, UNSW College of Fine Arts, Sydney
| | ‘Wynne Prize’, Art Gallery of New South Wales, Sydney
| | ‘Sulman Prize’, Art Gallery of New South Wales, Sydney
| | International Works on Paper Fair, Sydney
| | 1998 | SCEGGS Redlands Invitation Exhibition, Sydney
| | ‘Sulman Prize’, Art Gallery of New South Wales, Sydney
| | 1997 | ‘Archibald Prize’, Art Gallery of New South Wales, Sydney
| | 1996 | ‘Its a Guitar Shaped World’, Tamworth City Gallery, NSW
| | ‘Nude and Naked’, Eva Breuer Gallery, Sydney
| | ‘The Kings School Art Prize’, The Kings School, Sydney
| | ‘Kedumba Drawing Prize”, Leura, NSW
| | ‘Shelf Works’, Annandale Galleries, Sydney
| | 1994 | ‘Drawing from Inspiration’, Ivan Dougherty Gallery, Sydney
| | Australian Contemporary Art Fair, Melbourne
| | Art Asia (Art Fair), Hong Kong
| | ‘Blake Prize for Religious Art’, Blaxland Gallery, Sydney & touring
| | 1993 | ‘Roger Taylor Re-presents’, Powell Street Gallery, Melbourne
| | ‘On the other hand’, S.H. Ervin Gallery, Sydney
| | ‘Salon des Refuse’, S.H. Ervin Gallery, Sydney
| | ‘Blake Prize for Religious Art’, Blaxland Gallery, Sydney & touring
| | 1992 | ‘A Private Collection’, S.H. Ervin Gallery, Sydney
| | ‘New York Studio School Alumni Exhibition’, Macquarie Galleries, Sydney & regional tour
| | ‘Blake Prize for Religious Art’, Blaxland Gallery, Sydney & touring
| | 1991 | ‘Abedare Invitational Art Prize’, Ipswich, QLD
| | 1990 | ‘Lake Macquarie Art Prize’, Lake Macquarie Gallery, NSW
| | ‘Scotchman Hill Vineyard Art Prize’, Geelong Art Gallery, VIC
| | Stock Show, Australian Galleries, Sydney
| | 2nd Australian Contemporary Art Fair, Melbourne
| | 1989 | ‘Mindscapes’, Art Gallery of New South Wales, Sydney
| | ‘Freestyle: Australian Art from the 60s to now’, National Gallery of Victoria & touring
| | ‘ICI Contemporary Art Collection’, touring exhibition
| | ‘Opening Exhibition’, William Mora Galleries, Melbourne
| | 1988 | ‘Moet & Chandon’, Touring Exhibition State Galleries
| | ‘Purchase Exhibition’, Newcastle Region Art Gallery, Newcastle
| | New South Wales Institute of Technology, Sydney
| | ‘Lake Macquarie Art Prize’, Lake Macquarie Gallery, NSW
| | ‘Artists make Ceramics’, Ray Hughes Gallery, Sydney
| | 1987 | ‘Moet & Chandon’, Touring Exhibition State Galleries
| | 1986 | ‘Artists Make Furniture’, Ray Hughes Gallery, Sydney
| | ‘Young Australians: Budget Rent a Car Collection’, National Gallery of Victoria, Melbourne, and touring
| | 1985 | ‘Australian Perspecta ‘85’, Art Gallery of New South Wales, Sydney
| | ‘Small Works’, Michael Milburn Galleries, Brisbane
| | ‘Thinking Aloud’, Ray Hughes Gallery, Sydney
| | 1984 | ‘Survey Exhibition’, Tasmanian Museum and Art Gallery, Hobart
| | ‘Sculpture ‘84’, The Performance Space, Sydney
| | 1982 | ‘Wall Sculpture: Sydney Biennale’, Art Empire Industry, Sydney
| | 1981 | ‘First Australian Sculpture Triennial’, Latrobe University, Melbourne
| | 1980 | ‘Albert Hall Purchase Exhibition’, Queen Victoria Museum & Art Gallery, Launceston
| | 1979 | ‘Studio Sculpture Show’, New York Studio School, New York
| | 1978 | ‘London Group’, Gulbenkian Gallery, London
| | ‘Young Contemporaries’, Institute of Contemporary Art, London
| | ‘Postgraduate Exhibition’, Slade School of Art, London
| | 1977 | ‘Snakes and Ladders’, Fine Arts Gallery, University of Tasmania, TAS |
BibliographyBOOKS Amadio, Nadine; Inaugural Moet & Chandon Touring Exhibition, M&C Aust. Art Foundation 1987 Amadion, Nadine; Moet & Chandon National Touring Exhibition, M&C Aust. Art Foundation 1988 Australian Perspecta ‘85, Art Gallery of New South Wales, 1985 Croft, Christopher: Mindscapes, Art Gallery of New South Wales, 1989 Denholm, Michael; Recent Australian Art, 1996 ICI Contemporary Art Collection, ICI Australia, 1989 McGregor, Ken; William Creek and Beyond, Craftsman House, Sydney 2002 McCulloch, Tom; The First Australian Sculpture Triennial, La Trobe University, Melbourne 1981 Second Australian Contemporary Art Fair, ACAF2 1990 Waterlow, Nick; Silver, UNSW College of Fine Arts, 1998
PERIODICALS Fortescue, Elizabeth; “Postcard on the Edge”, The Daily Telegraph, 26 May 2006, p.76 (ill) Lopez, Annemarie; ‘Box Office’, The (Sydney) Magazine, Issue #38, June 2006, p.85 (Ill) ‘Hot Seat’, The Australian, Review, May 27 2006, p.17 Amadio, Nadine; “From Vineyard to Canvas”, This Australia, Spring 1987 Anderson, Patricia; “Archibald Review”, Weekend Australian, March 2004 Bogle, Michael; “Clay Time”, Vogue Living, May 1989 Borlase, Nancy; “Sculpture moves back…”, Sydney Morning Herald, 24 April 1982 Brennan, Betsy; “Rodney Pople’s Passion and Paradox”, Vogue Living, March 1990 Burns, Jennifer; “fine art fusion”, Vogue Living, Oct/Nov, 1993, p. 120 Chanin, Eileen; (ed), Australian Contemporary Painting, Craftsman House, 1991 Cochrane, Peter; “Now it's our turn: Pople Goes Mao’, Sydney Morning Herald, 6 April 1994 Crawford, Ashley; “Acquire all things bleak and beautiful’, Mercedes Australia Magazine, Autumn 2002, pp. 73-77 Crawford, Ashley; “Desert Dreaming:, Condé Nast Traveller (Australia), July 2002, p. 96 Cubby, Ben; “Dog’s Breakfast?”, Sydney Morning Herald, 22 November 2004, p.14 Curnow, Heather; “Watercolours Strong in Structure, Imagery”, The Mercury, 20 June 1987 Delaruelle, Jacques; “A canon greater than the self”, The Sydney Review, December, 1993, p.14 Dewar, Sue; “Beijing Report”, Art and Asia Pacific, March 1995 Fischbein, Johanna; “Ghosts and Watercolour Symbolism”, Eastern Herald, 10 November 1988 Fortescue, Elizabeth; “The Mad, Bad and Beautiful”, The Daily Telegraph, 19 March 2004, pp.16-17 Geissler, Marie; “Rodney Pople”, Business Review Weekly, 1996 Hessey, Ruth; “Rodney Pople”, Vogue, April 1991 Hill, Peter; “Sticks and Banoes”, Sydney Morning Herald, 11 December 2004, p. 20 Hill, Peter; “Face Values”, Sydney Morning Herald, 1-2 May 2004, pp. 8-9 Hoffert, Bernard; “Review”, The Age, 13 October, 1983 Holloway, Memory; “Review”, The Age, 12 October 1983 Hynes, Victoria; “Beast in Show”, Sydney Morning Herald, 20 April 2001, p.26 Hynes, Victoria; “Rodney Pople”, Sydney Morning Herald (Sydney Magazine, December, p.133 Johnson, Anna; “Blake’s Vision Trapped in a Spiral of the Senses”, Sydney Morning Herald, 4 November 1988 Johnson, Anna; “Rodney Pople”, Interior Design, No. 17, 1989 Kidd, Courtney; “Simple Gestures…”, Sydney Morning Herald, 11 April 2001, p.24 Litson, Jo; “Great Expectations”, The Weekend Australian Magazine, 6-7 October 1990 Loxley, Anne; “Pople’s Whirling World”, Sun Herald, 6 November 1988 Lynn, Elwyn; “Portrait of the Artist…”, The Weekend Australian, 10-11 December 1988 Lynn, Elwyn; “Review”, The Weekend Australian, 2-3 December 1989 Lynn, Elwyn; “Fertile fantasies”, The Weekend Australian, 3-4 December 1993, p. 10 Maloon, Terence; “Images from the Battle Zone...”, Sydney Morning Herald, 18 August 1984 Maloon, Terence; “Artists take a well known Walk on the Wild Side”, Sydney Morning Herald, 26 Sept 1986 McDonald, John, “The 2008 Archibald Prize”, Sydney Morning Herald, 15 March 2008 McDonald, John: “Statue? Painting? Look Again”, Sydney Morning Herald, 4 October, 1985 McDonald, John; “Searching Abstracts by Bedridden Artists”, National Times, 5 October 1986 McDonald, John; “Moet Award is not all bubbly”, Sydney Morning Herald, 3 October 1987 McDonald, John; “Review”, Sydney Morning Herald, 2 February 1988 McDonald, John; “Overpowered by Mindless Mindscapes”, Sydney Morning Herald, 29 April 1989 McDonald, John; “Blake pursues outward signs of spiritual grace”, Sydney Morning Herald, 17 December 1993, Spec. 12A McDonald, John; “Fall Guy’, Sydney Morning Herald, 14 Sept 1996, p.14 Mendelssohn, Joanna: “What should have won?”, Unleashed, ABC, 10 March 2008 Miller, Ronald; “Review”, The Herald, 6 October 1983 Milson, Rosemarie; “Where Art Thou?”, Sun Herald (Sunday Life), 15 December 2002, p. 15 Queensland Art Gallery, 1991 Annual Report (cover illustration) 1992 Rooney, Robert; “The Artist as Gap-Filler”, The Weekend Australian, 10-11 May 1989 “Skilful painting takes out Annual Lake Prize”, Lake Macquarie Advocate, 8 Sept 1988 Smee, Sebastian; “Win lose and draw”, Sydney Morning Herald, 13 Sept 1996, p.13 Stowell, Jill; “Prize creates Collection Cornerstone”, The Mercury, 16 September 1988 Sturgeon, Graeme; “Six Names to Watch”, Australian Collector’s Quarterly, Nov ‘89 - Jan‘90 “Sydney Artists take Prizes”, Lake Macquarie Post, 20 September 1988 Taylor, Roger; “Interview”, 3RRR FM Radio, Melbourne, 8 November 1986 Taylor, Roger; “Rodney Pople’, World Sculpture, January 2000 Taylor, Roger; “Rodney Pople”, Asian Art News, vol.11, no.3, May/June 2001, pp.80-81 Verghis, Sharon; “Opening/Spotlight”, Sydney Morning Herald, 11 April 2001, p.22 Verghis, Sharon; “Arts Saviour…”, Sydney Morning Herald, 16 - 17 November 2002, pp.1 –2 Verghis, Sharon; “For Pope, Duke or Deague”, Sydney Morning Herald, 23 - 24 November 2002, p. 15 “When our artists pass by a creek”, Sunday Telegraph, 29 December 2002, p. 103 Woodcock, Phyllis; “Different Artists in Two Shows”, Courier Mail, 8 August 1987
Awards| 2008 | Winner, Sulman Prize, Art Gallery of NSW | | 2006 | Winner, SCEGGS Redlands Westpac Art Prize, Mosman Art Gallery, Sydney | | 2005 | Project Grant, Visual Arts/Craft Fund of the Australia Council | 1999
| National Art School Travel Grant (New York)
| | 1996 | Project Grant, Visual Arts/Craft Fund of the Australia Council | | 1994 | 1st Prize, Fisher's Ghost Art Award, Campbelltown City Gallery
| | 1988 | Project Grant, Visual Arts/Craft Fund of the Australia Council |
| 1st Prize, Lake Macquarie Gallery Invitational Art Prize
| | 1984 | Project Grant, Visual Arts/Craft Board of the Australia Council | | 1978 | Tasmanian Arts Advisory Board Grant |
CollectionsArt Gallery of New South Wales, Sydney Artbank, Sydney ICI Contemporary Art Collection Lake Macquarie Gallery, NSW National Gallery of Australia, Canberra National Gallery of Victoria, Melbourne Queensland Art Gallery, Brisbane University of Western Sydney
Selected ReviewsMoving Pictures | The Sydney Morning Herald | 16 Jun 2006 Not for Rodney Pople the cliches of Venetian gondolas and the Bridge of Sighs. | The Sydney Morning Herald | 25 May 2006 New Year Group Exhibition | The Sunday Age, Preview | 6 Jan 2005
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