artists

artists

Sidney Nolan

SELECTED WORKS

 
In 1952 Sidney Nolan was commissioned by the Brisbane newspaper The Courier Mail to travel through far northern Queensland to record his impressions of one of the worst droughts in Australia’s history. Throughout this journey Nolan took numerous black and white photographs using a medium format camera, resulting in a host of startling and memorable images. Focusing on both the macabre spectre of the many animal carcasses strewn across the landscape and on the singular dwellings announcing a tenuous human presence, Nolan created numerous iconic images.
   Having returned to Australia after an extended period traveling in Europe, Nolan commented that the animal carcasses reminded him of the petrified bodies he had seen at Pompeii. Throughout the series emphasis shifts from detached observation to intimate contemplation—between the forces of the outer landscape to the darkness of the animals’ inner being. With their carefully composed compositions the photographs represent a dramatic shift from the artist’s earlier photographic experiments. In place of a prior spontaneity, drought-stricken animal carcases are framed in formally rigorous compositions, the moment seemingly trapped in time. 
   For the first time this exhibition includes the complete and unabridged series of Sidney Nolan’s Drought Photographs, including images previously unavailable for public exhibition.
- Damian Smith
Archivist for the Nolan Estate 1996-99


Epic Drought in Australia

“Australia has not a very long history, but it is long enough to indicate that she must expect a major drought once every decade. Even so the present drought which the north and west of the continent is enduring, is by far the worst in living memory.
   Rivers which have not been dry for over a century are now beds of hot sand, and even the aborigines can find no parallel in their mythology for a drought of this magnitude.
   To cattle raising areas, failure of the annual monsoonal rains spells near tragedy. Of a total of 11.4 million beef cattle 1.5million have already perished.
   The position is complicated by the lack of a railway connecting the North-centre of Australia with the eastern seaboard. Had such a railway been in existence many thousands of cattle could have been shifted to agistment areas and saved. As it is, the cattle must survive journeys from 500 to 1500 miles on stock routes, and this is generally impossible owing to the weakened positions of the animals. Thus cattle men must face the prospect of watching their herds dwindle until at least the end of the year when there is the probability of early summer storms bringing relief.
   In the meantime the landscape presents scenes of desolation which mark the memory of all who see it. Thousands of carcasses are strewn on the baked and cracked plains. There is a brooding air of almost Biblical intensity over millions of acres which bear no trace of surface waters. The dry astringent air extracts every drop of moisture from the grass, leaving it so brittle that it breaks under foot with the tinkling of thin glass.
   Death takes on a curiously abstract patter under these arid conditions. Carcasses of animals are preserved in strange shapes which have often a kind of beauty, or even grim elegance.
   Over the whole country there is a silence in which men and animals bring forth the qualities necessary for survival. Patience, endurance – and for many Australians, a bitter and salty attitude of irony.”
- Sidney Nolan, August 1952

Group Exhibitions

2011'Drought Photographs', Australian Galleries, Melbourne
'large exhibition of small works', Australian Galleries, Derby Street, Melbourne
'large exhibition of small works', Australian Galleries, Roylston Street, Sydney