| | | 1962 | Born Clwyd, North Wales | | 1979-80 | Studied, Wrexham School of Art, North Wales | | 1980-83 | Bachelor of Arts (1st class Honours) Painting and Printmaking | | 1983 | Arrived Australia | | 1984-85 | Postgraduate Diploma (with Distinction) Sculpture, VCA, Melbourne | | 1989-90 | Artist in residence, University of Melbourne | | 1993 | Arts Fellow, Sydney Grammar School, Darlinghurst, New South Wales | | | Travelled Europe, Canada, USA | | 1994 | Artist in residence, Australian Print Workshop, Melbourne | | 1997 | Artist in residence, City of Broken Hill Art Gallery, New South Wales | | 1997-2000 | Masters by Research, Monash University, Melbourne | | 2002 | Travelled Italy, UK, USA and Canada | | 2005 | Artist in Residence, Braemar College, Mt Macedon, Victoria |
Solo Exhibitions | | | 2007 | ‘Tim Jones – Within the wood’, Falkner Gallery, Castlemaine, Victoria
| | 2006 | ‘New Work’, Fortyfivedownstairs, Melbourne
| | 2005 | ‘I’ve been in love forever – A Survey Exhibition 1990 – 2005’, Stonnington Stables Museum of Art, Deakin University, Melbourne
| | ‘The woods between the worlds’, Woodbine Art Gallery, Malmsbury, Victoria
| | 2004 | ‘Blasted trees’, Horsham Regional Art Gallery, Victoria
| | 2002 | ‘Within the woods’, Mitchelton Winery, Nagambie, Victoria
| | ‘Irony in the wind’, Fortyfivedownstairs, Melbourne
| | 2001 | ‘Pastoria – Landscape of the imagination’, Phyllis Palmer Gallery, La Trobe University, Bendigo, Victoria
| | 1999 | ‘Billy grew on a tree, didn’t e’, Robert Lindsay Gallery, Melbourne
| | 1997 | ‘Dumb birds and blasted trees’, Robert Lindsay Gallery, Melbourne
| | ‘Tim Jones (Prints)’, Watch This Space, Bendigo, Victoria
| | 1995 | ‘Tim Jones (Sculpture)’, Tolarno Galleries, Melbourne
| | 1994 | ‘Graphic Work 84-94’, Sherman Galleries, Sydney
| | Mitchelton Print Award, Australian Print Workshop, Melbourne
| | ‘Under Milk Wood’, Jan Jones Contemporary Art, Bowral, New South Wales
| | 1993 | ‘Into the twilight’, Gippsland Regional Gallery, Sale, Victoria
| | 1992 | Tim Jones 2 & 3 Dimensional Work, Irving Galleries, Sydney
| | Out of the Woods, Installation, Tolarno Galleries, Melbourne
| | 1991 | Tim Jones Sculpture, Installation, Tolarno Galleries, Melbourne
| | Hanging Rock Drawings, Switchback Gallery, Monash University, Churchill, Victoria
| | 1990 | Tim Jones Artist in Residence, Ian Potter Museum of Art, University of Melbourne
| | ‘Tim Jones’, Irving Galleries, Sydney
| | ‘Tim Jones Sculpture’, Tolarno Galleries, Melbourne
| | ‘Tim Jones’, Switchback Gallery, Monash University, Churchill, Victoria | | 2002-03_‘The beauty of hindsight’, McClelland Gallery + Sculpture Park, Langwarrin, Victoria
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Group Exhibitions | | | 2010 | 'Artists' prints made with integrity', Australian Galleries, Melbourne | | 2009 | 'A Sculpture by...', Australian Galleries, Melbourne | | 'New Dawn's Crescendo', Australian Galleries, Melbourne | | 2008 | ‘Against the grain’, Port Jackson Press, Melbourne
| | ‘Print traditions - sources of Australian printmaking’, Geelong Gallery, Victoria
| | ‘Who let the dogs out’, Lake Macquarie City Art Gallery, Booragul, New South Wales; Hazelhurst Regional Gallery and Arts Centre, Gymea, New South Wales
| | 2007 | ‘Why the tree’, Ballarat Fine Art Gallery, Victoria
| | 2006 | ‘Extra-Aesthetic: 25 views of the Monash University Collection’, Monash University, Caulfield and Clayton, Victoria
| | 2005 | ‘Recent Acquisitions: Deakin University Art Collection’, ICON Museum of Art, Deakin University, Burwood
| | ‘Art for Science’, Murdoch Childrens Research Institute, Melbourne
| | 2004 | ‘Contemporary Australian Prints from the Collection’, Art Gallery of New South Wales, Sydney
| | ‘Giant: Ancient and historic trees’, Geelong Art Gallery, Victoria
| | 2003 | ‘McClelland Sculpture Survey’, McClelland Gallery + Sculpture Park, Langwarrin, Victoria
| | ‘Against the grain’, McClelland Gallery + Sculpture Park, Langwarrin, Victoria
| | ‘Back to the future’, Monash University Museum of Art Exhibition, Switchback Gallery, Monash University, Churchill, Victoria
| | 2002 | ‘Yarra arraY Sculpture Festival’, Birrarung Marr, Melbourne
| | ‘Wildlife’, Australian Print Workshop, Melbourne
| | ‘Jon Campbell’s Rock the Boat’, Switchback Gallery, Monash University, Churchill, Victoria
| | ‘Works in glass bronze and wood’, amo artist made objects, Richmond
| | ‘Central Goldfields Sculpture Prize and Exhibition’, Central Goldfields Art Gallery, Maryborough, Victoria
| | 2001 | ‘Helen Lempriere National Sculpture Award’, Werribee Park, Victoria
| | ‘Jon Campbell’s Rock the Boat’, Uplands Gallery, Melbourne
| | ‘Point of departure’, Bendigo Art Gallery, Bendigo, Victoria
| | ‘Old landscape: new garden’, Sculpture at Seawinds, Arthurs Seat, Victoria
| | ‘Geelong Print Prize’, Geelong Art Gallery, Geelong, Victoria
| | ‘Nillumbik Art Award’, The Barn Gallery Montsalvat, Eltham
| | 2000 | ‘Celebrating the exquisite corpse’, Bendigo Art Gallery, Victoria; and national tour
| | 1999 | ‘On The Road’, Heide Museum of Modern Art, Victoria
| | 1998 | ‘Magic Realism’, Australian Galleries, Melbourne
| | ‘Up the road: Contemporary artists out of the Victorian College of the Arts’, Australian Centre for Contemporary Art, Melbourne
| | ‘The Ladder-Maverick Arts’, Arts Victoria, Vista Hotel, Melbourne
| | 1997 | ‘In relief: Australian wood engravings, woodcuts & linocuts’, National Gallery of Victoria, Melbourne
| | ‘Auto Art’, Access Gallery, National Gallery of Victoria, Melbourne
| | 1996 | ‘Nostalgic’, Monash University Gallery, Clayton, Victoria
| | 1995 | ‘Constructed city’, Plimsoll Gallery, University of Tasmania, Hobart, and national tour
| | ‘Works on Paper’, Kyneton Collection Exhibition Space, Kyneton, Victoria
| | 1993 | ‘Excalibur: contemporary artists and Celtic heritage’, Geelong Art Gallery, Victoria
| | ‘An Exhibition of wood engravings’, Joshua McClelland Print Room, Melbourne,
| | 1992 | ‘Dame Edna regrets she is unable to attend’, Heide Museum of Modern Art, Heidelberg, Victoria
| | ‘Invitation Art Prize 1992 – Melbourne Art – Melbourne Artists’, The Melbourne Savage Club, McClelland Gallery + Sculpture Park, Langwarrin, Victoria
| | ‘Domino I collaborations between artists’, Ian Potter Museum of Art, University of Melbourne
| | Moet & Chandon Touring Exhibition, Australian Tour
| | ‘Perspectives on Australian Landscape’, Australian Embassy, Washington D.C., U.S.A.
| | ‘Southgate art exhibition’, Westpac Gallery, Victorian Arts Centre, Melbourne
| | 1991 | ‘Recent Acquisitions (Works on Paper)’, National Gallery of Victoria, Melbourne
| | ‘An Exhibition of Technologically Assisted Works of Art’, Monash studios and exhibition space, Collingwood, Victoria
| | ‘A Selection from the University Art Collection’, The University of Melbourne Museum of Art, Melbourne, Victoria
| | ‘Artworkz Three: The B.P. Australia Acquisitive Prize’, Caulfield Arts Centre, Caulfield, Victoria.
| | ‘The Upside Down River’, The Australia Gallery, New York, U.S.A.
| | ‘Contemporary Australian Art’, A & Z Gallery, Tokyo, Japan
| | 1990 | ‘New Acquisitions – Department of Prints and Drawings’, National Gallery of Victoria, Melbourne
| | ‘South Lawn Sculpture Exhibition’, University of Melbourne, Melbourne
| | ‘Recent Acquisitions’, Monash University Museum of Art, Clayton, Victoria
| | ‘100 Artists Against Animal Experimentation’, Deutscher Gallery, Melbourne
| | ‘Greenpeace fund raising exhibition’, Linden Gallery, St Kilda
| | ‘New Art, Recent Contemporary Art Acquisitions’, National Gallery of Victoria, Melbourne
| | ‘Artists Under Saturn’, Ian Potter Museum of Art, University of Melbourne, Melbourne | | 2006-07_‘Proof: Contemporary Australian Printmaking’, The Ian Potter Centre: NGV Australia, Melbourne
| | 2007-08_‘Australian Print Workshop: Impressions from Australia’, Australian Embassy, Washington D.C., USA
| | ‘focus 5: leisure and pleasure’, Robert Lindsay Gallery, Melbourne
| | Group Show (with Anton Hassel), Irving Galleries, Sydney,
| | 1991‘Society of British Wood Engravers 54th Exhibition’, U.K. Tour
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BibliographyArt Almanac, cover image, April 1990 “Peacock blue”, Vogue Living, May/June 2005 “The art for fine wine”, Herald Sun, 29 April 1994 “The artist’s vision… large and small”, Melbourne University Gazette, 1990 “Tribute blends with landscape”, The Wimmera Mail-Times, 17 December 2003 “Young look after contemporary art”, The Courier Mail, 10 April 1992 Backhouse, M., “Print prize – Visual arts”, The Age, 28 March 2001 Backhouse, M., “Magical and mysterious”, The Age, 15 October 1993 Bellamy, L., “Art takes hold when words fail”, The Age, 6 August 2005 Cant, S., “There’s bread to be made from brushing up on art”, The Age, 1991 Catalano, G., “Howard pursues our deepest fears”, The Age, 3 October 1990 Crawford, A., “Extra-Aesthetic: 25 views of the Monash University Collection”, The Sunday Age, Preview, 15 January 2006 Crawford, A., “Gothic and Perverse – Tim Jones”, Tension 21, June 1990 Erlich, R., “Dark designs out of a Welsh wood”, 1994 Fern, L., “The fantastic side of nature”, The Sydney Morning Herald, 3 April 1992 Gregg, S., “Tim Jones: The Woods Between the Worlds”, 2004 Gott, T., “Australianized Welsh lilt”, I’ve been in love forever, Stonington Stables Museum of Art, Deakin University (exhibition catalogue), 2005 Gott, T., On The Road, Heide Museum of Modern Art (exhibition catalogue), 1999 Gott, T., “Antipodean Import – Tim Jones, Welsh wood engraver down under”, Imprint, Print Council of Australia Healy, M., Tim Jones – Ian Potter Gallery, 1990 Heathcote, C., Magic Realism, Australian Galleries (exhibition catalogue), 1998 Heathcote, C., “Imagined worlds provide inspiration for a new movement”, The Age, December 1992 Hill, P., “Artists join together to extend their concerns”, The Age, 23 August 1990 Jones, T., Milk Wood Engravings and Sculpture, inspired by Dylan Thomas’ play for voices Under Milk Wood (exhibition catalogue), 1994 Jones, T., “It took me 12 months to fall in love with Australia”, Friends of the Victorian College of the Arts Newsletter, July-September, 1985 Lancashire, R., “Putting fun into the sculpture culture”, The Age, 9 July 1992 Lew, C., “A moveable feast of sculpture”, The Melbourne Times, 19 September 1991 Lindsay, F., “Tim Jones: Ancient myths and popular stories”, Art & Australia, Vol. 28 No. 1, Spring 1990 Lindsay, F., “Tim Jones, Artist-in-Residence”, University of Melbourne Gallery Society Bulletin, Vol. III, No. 2. 1990 Lindsay, F., “Tim Jones: Escape to the city”, Gallery, National Gallery Society, May 1990, pp. 10-12 Lindsay, R., McClelland Survey & Award (exhibition catalogue), McClelland Gallery & Sculpture Park, September 2003 Long, J., “On The Road and Off the Planet”, Tim Jones Artist-in-Residence (exhibition catalogue), University of Melbourne, 1990 Makin, J., “Cultivating tree spirits”, Herald Sun, 15 August 2005 McKenzie, R., “Taking Sides”, Herald Sun, 15 December 1997 Nelson, R., “Talking to the trees”, Sightlines, The Age, September 2005 Nelson, R., “Nature’s grand old giants”, The Age, 7 January 2004 Nelson, R., “Bring out the big guns”, The Age, 8 October 2003 Nelson, R., “Bird’s-eye look at other world of trees”, The Age, 21 December 2002 Nelson, R., “Shedding pretensions”, The Age, 28 March 2001 Port, J., “Wine is art, art is wine”, The Age, 22 October. 1996 Riches, C., “Local artist on show in Bendigo”, Telegraph, 8 May 2001 Rooney, R., “A culture we should never exterminate”, The Australian, 4 July 1997 Rooney, R., “Cutting through the woods”, The Weekend Australian, 19-20 December 1992 Rooney, R., “Mix and matching wit with invention”, The Australian, 9 May 1990 “Sculpture for cultural site”, The Wimmera Mail-Times, 17 December 2003 Taylor, R., “In praise of the natural world”, World Sculpture News, Summer 2001 Taylor, R., “Transformations”, Asia-Pacific Sculpture News, Winter 1996 Tim Jones, Artist-in-Residence (exhibition catalogue), Ian Potter Museum of Art, University of Melbourne, 1990 Timms, P., “Cutting the wood for the trees”, The Age, 18 April 2001 Timms, P., “Seeing the Lleitmotif, however dark”, The Age, 2 December 1999 Timms, P., “Not all magic in this realism”, The Age, 12 August 1998 Virgo, A., “Tim Jones 1994 Mitchelton Print Award” (and cover image), Imprint, Print Council of Australia, Winter 1994 Ward, K., “Sublime silence”, Weekender, 19 May 2001 White, T., “The art of labelling”, The Australian Weekend Review 1996 Winter-Irving, C., “Images of passage”, Craft Arts International, No. 33, 1995 Zimmer, J., “From scrap heap to top of the heap’, The Sunday Herald, 13 May 1990 Awards2007 ‘Red Tree’, Holmesglen Institute of TAFE, Chadstone Campus Print Commission, The City of Yarra 2006-07 Community Totem, Hanging Rock Reserve, Macedon Shire Council 2006 ‘The Ornithologist’, VicUrban Commission, Valley Lakes, Niddrie Print Commission, The City of Yarra 2003 ‘Scar Tree’, Horsham Rural City Council 2001 Print Commission, The City of Yarra 2000 New Works Grant, Arts Victoria Joyce Thorpe Nicholson Award, for best designed book of 1999 (collaboration with Guy Mirabella) 1999-2000 Point Lonsdale Foreshore Development, D.R.N.E. (collaboration with Vernon Landscape Design) 1998-99 ‘Yabbie Pool – Meeting Place’, Yonka Creek, Broadmeadows, City of Hume (collaboration with Vernon Landscape Design) 1996 Cooper & Lybrand (collaboration with Joanne Croke) Royal Australian Institute of Architects Commendation (collaboration with City Projects Design Branch) ‘River God Fountain’, Fitzroy Gardens, City of Melbourne 1995 Bronze Memorial Plaque, Sydney Grammar 1994 Mitchelton Winery Print Award, Australian Print Workshop ‘Sensory Fountain’, Royal Botanical Gardens, Sydney 1994 Bourke Street Mall Project, City of Melbourne 1993 P.L.A.C.E. Dry Stone Wall and Earth Work, City of Keilor 1992 ‘The Spirit’, Eastern Entry, Southgate Complex 1991 Southern Stand, Melbourne Cricket Ground 1990 Awarded VA/CB Australia Council Project Grant CollectionsAGOS Collection, M.C.G. Artbank Art Gallery of New South Wales Art Gallery of South Australia Ballarat Fine Art Gallery Bendigo Art Gallery BHP Collection Burnie Regional Gallery City of Keilor Deakin University Art Collection Diamond Valley Art Collection Geelong Art Gallery Gladstone Regional Art Gallery Holmesglen Institute of TAFE Heide Museum of Modern Art Horsham Regional Art Gallery Latrobe Regional Gallery La Trobe University Art Collection Macedon Ranges Council McClelland Gallery + Sculpture Park Mildura Regional Gallery Monash University Art Collection Monash University Library – Rare Books Collection National Gallery of Australia National Gallery of Victoria Ormond College Queensland Art Gallery Queensland University of Technology State Library of Victoria Sussan Corporate Collection Swan Hill Regional Gallery Tasmanian Museum and Art Gallery University of Melbourne Art Collection Victorian College of the Arts VicUrban Vizard Foundation Walter and Eliza Hall Institute of Medical Research Warrnambool Art Gallery
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